Walk through Madrid’s Puerta del Sol or Plaza Mayor, and the scene feels like a carnival. Children laugh, tourists line up their phones for selfies, and familiar faces from video games and cartoons suddenly appear in oversized costumes. Mario offers you a smile. Pikachu waves. A giant bear spreads its arms for hugs. Musicians fill the air with violins, guitars, and accordions.
It looks like entertainment. And it is—but it’s also survival.
Behind the bright colors and playful energy are real people, sweating inside hot costumes, standing in the freezing winter, or straining their voices and fingers on the cobblestones. Madrid’s plazas may look like fairy tales for tourists, but for the people working there, they’re workplaces—hard, uncertain, and unforgiving.
Behind the Costumes
Let’s start with the icons. Mario—the cheerful plumber from Nintendo—has traded turtles and coins for selfies with tourists. Children rush to hug him. Adults laugh and drop a euro into his basket. But the person inside? They’re not playing. They’re working. And every coin collected isn’t just play money—it’s rent, groceries, and survival.
Then comes Pikachu. Bright, yellow, larger than life. Tourists light up at the sight of the childhood hero. Photos pile up. Coins drop. But inside the costume, it’s brutally hot. The headgear is heavy. Hours pass slowly. That oversized grin hides exhaustion.
And the bear—motionless most of the day, opening its arms for hugs. Children squeal, parents smile, photos snap, and one more euro changes hands. It looks sweet and simple, but the truth is standing still for hours in sun or cold is physically punishing.
The Musicians
Unlike the costumed performers, Madrid’s musicians don’t need disguises. Their instruments are their passport. Some studied music for years; others learned by ear. But in the plazas and metro stations, they compete for attention—and for survival.
On a good day, when the weather is warm and tourists are plentiful, a musician might make €70 or even €100. On a bad winter day, after 10 hours of playing in the cold, they might walk home with less than €20. Their guitars, violins, and accordions aren’t props. They’re lifelines.
The Economics of the Plaza
Spain’s underground economy is no small thing—it represents nearly 20% of the country’s GDP. Street performance is just one slice of that pie.
Here’s how it works in Madrid:
Permits: To perform legally, artists must apply for authorization from the Ayuntamiento (city council). Only certain plazas allow it. Musicians in the metro even have to audition.
Competition: Permits are limited, so many performers work without one. That means facing heavy fines—sometimes up to €3,000.
Costs: Renting a costume can cost between €50 and €200 a month. For musicians, instrument maintenance or even replacing broken strings eats into earnings.
Earnings: On average, most performers bring in €20–€70 a day. Big weekends or holidays can double that. But winter often means long days with almost nothing to show for it.
So is it worth it? For most, it’s not a dream job. It’s survival money. Enough to share a small room, to buy food, to get through the week.
The Double Life of Madrid’s Plazas
For tourists, it’s simple fun: a quick laugh, a selfie, a story to tell back home. But for the performers, Madrid’s plazas are battlegrounds of survival. Dozens of Marios, Pikachus, and street bands fight for the same coins.
Behind Mario’s smile is someone sweating for 10 hours.
Behind Pikachu’s wave is someone hoping to make back the money spent on costume rental.
Behind the bear’s hug is someone counting coins at night, praying it’s enough to cover rent.
Whether you see them as art, as a nuisance, or as background noise, they are undeniably part of Madrid. They shape what it feels like to walk through Puerta del Sol or Plaza Mayor today.
A Traveler’s Reflection
The next time you wander Madrid’s plazas, pause. Look beyond the costume. Listen beyond the music. These aren’t just performers—they’re workers. And their reality is as much a part of the city as its tapas bars, museums, and monuments.
Because travel isn’t just about postcards. It’s about truth.

